April 1 – June 4, 2011
Leslie Wayne: Recent Work represented the past five years of Wayne’s vibrant, sculptural oil paintings. The works ranged in size from 4 x 14 feet to 10 x 13 inches. Wayne presented an artist’s talk on April 1, preceding the opening reception.
Wayne stated that her large works are inspired by landscape and geology and are a secular, contemporary, and abstract response to 19th-century Romantic Landscape painting. “Rather than paint pictures of landscapes, Wayne chooses to capture the corporeal essence of nature by offering an analogous experience to being in the natural world,” stated Mark Sloan, curator of this exhibition and Director/Senior Curator at the Halsey Institute of Contemporary Art in Charleston, S.C.
“Alluding to compression, subduction and the shifting of tectonic plates, she packs the narrative passages into the interstices of each successive layer of paint, testing the range of Richard Serra’s famous Verb List by pulling, scraping, folding, cutting and collaging her material like clay.” In addition to taking cues from landscape, Wayne draws inspiration from fashion and fabric to fractals and chaos theory, but rarely in anticipation of a specific work.
Wayne says, “I don’t set out to make a painting about a particular subject. I am a Process painter in that respect in that I allow the phenomenology of the material to lead the way. I may begin with a set of conditions, like a shaped panel, for example, but then I take my cues from the working process. I think of it as a conversation between material memory and morphogenesis – the repetition of a process that leads to an intended result and the will of the material to do what it will do.”
The smaller paintings in the exhibition were part of a series entitled One Big Love. Wayne began these works while simultaneously working on her larger paintings in an effort to challenge herself with new parameters within a familiar and comfortable format. The series, however, ended up including more than 55 paintings, each embodying a unique world of highly manipulated, striated paint.
Leslie Wayne was born in 1953 in Germany, but grew up in Southern California where she originally studied traditional oil painting and had a strong connection to the Western landscape tradition. Her undergraduate studies began at the University of California, Santa Barbara, in painting, and she finished with a BFA in sculpture from Parsons School of Design. After her move to New York City in 1982, she abandoned observational painting and developed her signature style of intuitive painting, which is exemplified in this exhibition organized but he Halsey Institute of Contemporary Art. Leslie Wayne has presented her work in numerous solo and group exhibitions including the Corcoran Gallery of Art, Washington, D.C.; Peace Tower/Whitney Biennial, Whitney Museum of American Art, New York, N.Y. (both 2006); Bildmuseet, Umea, Sweden; Museum of Fine Arts, St. Petersburg, Fla. (both 2003); The Museum of Contemporary Art, Miami, Fla. (2001); Santa Monica Museum of Art, Santa Monica, Calif. (2000); and The Continuous Painting Wall, Birmingham Museum of Art, Birmingham, Ala. (1999). She was the recipient of a 2006 New York Foundation for the Arts Fellowship in Painting and a past grant recipient from both the Pollock-Krasner Foundation and the Adolph and Esther Gottlieb Foundation.
Leslie Wayne: Recent Work, organized by the Halsey Institute of Contemporary Art at the College of Charleston School of the Arts in Charleston, S.C., debuted at the Halsey Institute from January 21-March 12, 2011, and travelled to multiple venues around the country. To accompany the exhibition and give insight into Wayne’s process, the Halsey Institute commissioned a film by John Reynolds and produced a full-color catalogue with an essay by Ron Platt, Curator of Modern and Contemporary Art at the Birmingham Museum of Art. The catalogue was for sale at the opening reception and during the exhibition.